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	<title>IndieSongwriter.net &#187; music theory</title>
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	<link>http://www.songwright.co.uk</link>
	<description>Ideas and Advice for Songwriters (formerly songwright.co.uk)</description>
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		<title>Episode 10 &#8211; Tension Notes on a Minor Chord</title>
		<link>http://www.songwright.co.uk/2008/01/03/episode-10-tension-notes-on-a-minor-chord/</link>
		<comments>http://www.songwright.co.uk/2008/01/03/episode-10-tension-notes-on-a-minor-chord/#comments</comments>
		<pubDate>Thu, 03 Jan 2008 19:35:18 +0000</pubDate>
		<dc:creator>Tom</dc:creator>
				<category><![CDATA[Melody]]></category>
		<category><![CDATA[Songwriting Structure]]></category>
		<category><![CDATA[composing]]></category>
		<category><![CDATA[music theory]]></category>
		<category><![CDATA[song]]></category>
		<category><![CDATA[song writing]]></category>
		<category><![CDATA[songwriting]]></category>
		<category><![CDATA[tune]]></category>

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		<description><![CDATA[Way back when Songwright was more podcast than blog I talked about tension notes. This episode of the podcast is along the same lines: it demonstrates how you can build up melodic ideas using chords notes and notes that aren&#8217;t in the chord. This time I&#8217;m using the chord A minor rather than C major. [...]]]></description>
			<content:encoded><![CDATA[<p>Way back when Songwright was more podcast than blog I talked about <a href="http://www.songwright.co.uk/2007/08/09/episode-2-tension-notes-and-a-one-chord-song/">tension notes</a>.</p>
<p>This episode of the podcast is along the same lines: it demonstrates how you can build up melodic ideas using chords notes and notes that aren&#8217;t in the chord. This time I&#8217;m using the chord A minor rather than C major.</p>
<p><a href="http://www.wellwrite.co.uk/songwright/songwrightep10.mp3" title="Anarchy Media Player - Right click to download file"><em>Download</em></a> Songwright Podcast ep10</p>
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		<title>Time Signatures revisited</title>
		<link>http://www.songwright.co.uk/2007/12/31/time-signatures-revisited/</link>
		<comments>http://www.songwright.co.uk/2007/12/31/time-signatures-revisited/#comments</comments>
		<pubDate>Mon, 31 Dec 2007 10:06:21 +0000</pubDate>
		<dc:creator>Tom</dc:creator>
				<category><![CDATA[Basics]]></category>
		<category><![CDATA[Songwriting Structure]]></category>
		<category><![CDATA[time signatures]]></category>
		<category><![CDATA[guitar]]></category>
		<category><![CDATA[music theory]]></category>
		<category><![CDATA[song writing]]></category>
		<category><![CDATA[songwriting]]></category>

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		<description><![CDATA[In previous posts I&#8217;ve urged you to try using different time signatures in your songwriting. Why?   For several reasons. My own personal bias. I like progressive rock and I&#8217;m a bit of a music nerd. Doing music-nerdy stuff really appeals to certain types of music fan. Its a great way of adding contrast, which is an absolute [...]]]></description>
			<content:encoded><![CDATA[<p>In <a href="http://www.songwright.co.uk/category/time-signatures/">previous posts</a> I&#8217;ve urged you to try using different time signatures in your songwriting. Why? </p>
<p> For several reasons.</p>
<ol>
<li>
<div>My own personal bias. I like <a href="http://www.myspace.com/dreamtheater">progressive rock</a> and I&#8217;m a bit of a music nerd.</div>
</li>
<li>
<div>Doing music-nerdy stuff really appeals to certain types of music fan.</div>
</li>
<li>
<div>Its a great way of <a href="http://www.songwright.co.uk/2007/12/08/an-a-to-z-of-songwriting-contrast/">adding contrast</a>, which is an absolute must if you&#8217;re to avoid boring your audience</div>
</li>
<li>
<div>A lot of the time we don&#8217;t think about rhythm and meter as much as chords and melody. Changing time signature forces you to pay attention to these sometimes overlooked aspects of music.</div>
</li>
</ol>
<p><strong>What is a time signature, and how do you change it?</strong></p>
<p>If you listen to <a href="http://www.songwright.co.uk/2007/09/10/episode-7-time-signatures/">Episode 7</a> of the songwright podcast you&#8217;ll hear a few ideas about how to change time signature, and <a href="http://www.songwright.co.uk/2007/09/12/basics-how-time-signatures-work/">this previous post </a>talks about the basics of what they are.</p>
<p>In a nutshell, the time signature is the number of beats you have in a bar. You might have four beats in each bar, six, or seven. You could change every bar, change once in a song, or, like most songs, stick with one time signature all the time.</p>
<p>All of those options are creatively viable of course, I&#8217;d only urge you to think about it, rather than always composing in 4/4 like everybody else.</p>
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