It was linked to in the article.

I don’t necessarily disagree with you about mixolydian or V-I cadences being cliche, but if you avoid all of the biggest cliches, what are you left with? You can’t write in major or mixolydian even when they’re appropriate to the tone you’re trying to set. You for sure can’t do four-four time or a backbeat. Can you use guitar in your arrangements? Guitar’s been done to death, after all.

It’s great to branch out in different directions, and if you genuinely hate mixolydian (or four-four time, or backbeats, or guitar), then by all means, avoid it. That’s a great method for developing a signature style. I’m just not sure “cliche” is a good enough reason to reject a way of doing things in and of itself.

Or at least, if you’re going to use it – be aware. The fact is the V I cadence in a major key sounds twee and clichéd (in my opinion).

V i in a minor key less so, but I think if a songwriter is going to use them they should be aware that they’re using a cliché.