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Episode 7 – Time signatures

Posted on September 10, 2007 by Tom
1 commentLeave a comment

[audio http://www.wellwrite.co.uk/songwright/songwrightep7.mp3] Download

This episode of the songwright podcast looks at three ways of changing time signature within a song. They are:

1. Cutting the occasional beat but mostly staying in one time signature

2. Changing time signature for a whole section, but keeping the same pulse

3. Changing time signature for a whole section and choosing a different tempo.

To illustrate these ideas I played a little snippet from a couple of old We’ll Write songs, including Would you call that Love?
[audio http://www.wellwrite.co.uk/wouldyoucallthatlove.mp3]

I also used a section of Perfect Cruelty by Stryngs which I have mentioned before.

I finished with the song ‘The Gilded Bay,’ by the quite lovely Owen Nicholas.

Related posts:

  1. Episode 3 – more chords than 3
  2. Episode 4 -Song development
  3. Songwright Episode One – Pentatonic scales
  4. Episode 2 – Tension notes and a one chord song
  5. Episode 6 -’Till You Marry Me
Categories: time signatures
Notice: This work is licensed under a BY-NC-SA. Permalink: Episode 7 – Time signatures
Basics – how time signatures work.
An A to Z of Songwriting – A is for Analyze

One Response to “Episode 7 – Time signatures”

  1. Time Signatures revisited « Songwright says:
    December 31, 2007 at 10:07 am

    [...] you listen to Episode 7 of the songwright podcast you’ll hear a few ideas about how to change time signature, and [...]

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